Lili Boulanger – Igor Strawinsky – Leonard Bernstein
Between Heaven and Sound – Psalms in Orchestral Ecstasy
A religion without music? It’s hard to imagine. Music lends itself almost instinctively to expressing the ineffable – those experiences that reach beyond the everyday – perhaps because it, too, is often understood (in the best sense) as an irrational realm. It is hardly surprising, then, that all three composers featured here turned to the Psalms of the Old Testament, transforming their mysticism into sound.
Matters of Faith in Sound
Each approaches this material in a distinctly personal way, shaped by different circumstances. Lili Boulanger composed her settings in 1917–18 under the pressure of four years of war and her own failing health; the two works heard here are among the last she completed. Stravinsky’s engagement with the Psalms reflects his renewed connection with the Russian Orthodox Church in the late 1920s, while Bernstein’s »Chichester Psalms« grew out of a deeply personal exploration of his Jewish heritage and faith.
This programme is performed by the Deutsches Symphonie-Orchester Berlin and the Rundfunkchor Berlin in two formats: on Friday as a shorter Casual Concert (without the Boulanger works), and on Saturday in its full version, featuring all four pieces.
Programme details
Cast
Boy soloist of the Staats- und Domchor Berlin
Boy alto
Christina Bischoff
Soprano
Catriona Morison
Mezzo-soprano
Bettina Pieck
Alto
Georg Streuber-Chraniuk
Bass
Joohoon Shin
Tenor
Deutsches Symphonie-Orchester Berlin
Ingo Metzmacher
Rundfunkchor Berlin
Choir
Martina Batič
Chorus MasterRaoul Bumiller
TenorProgramme
Lili Boulanger
Igor Stravinsky
»Symphonie de Psaumes« (Symphony of Psalms)
for choir and orchestra
Lili Boulanger
Psalm 130 »Du fond de l’abîme«
for mezzo-soprano, choir and orchestra
Leonard Bernstein
»Chichester Psalms«
for boy soloist, choir and orchestra
Radio Broadcast
The concert will be recorded by Deutschlandfunk and broadcast at a later date.
Philharmonie Berlin
Opened in 1963, the Philharmonie Berlin is one of the icons of modern architecture. Architect Hans Scharoun created a completely new form for the concert hall: the 2,250 seats are arranged in different blocks, terraced like a vineyard, around a five-sided orchestra podium. Beneath the hall is the foyer, whose labyrinthine staircases cause even regular visitors to get lost time and again. The unusual silhouette of the building, whose outer shell is clad in golden aluminium panels, can also be explained by its internal layout. The hall is also considered one of the best in the world in terms of acoustics. It is home to the Berliner Philharmoniker, but is also used by other Berlin orchestras and event organisers.
Philharmonie Berlin
Herbert-von-Karajan-Straße 1
10785 Berlin
Deutschland
© Schirmer