»Missa solemnis« in D major op. 123
for soloists, choir and orchestra
»From the heart – may it go – to the heart again!« This dedication was inscribed by Beethoven in his manuscript of the »Missa solemnis,« a work that has divided opinion ever since – not least because of its exceptional length by Beethoven’s standards. Music philosopher Theodor W. Adorno called it his »alienated masterwork,« finding it so enigmatic that it scarcely seemed recognizable as a Beethoven piece at all. For Clara Schumann, however, that very quality was what made the music so extraordinary. She described the Mass as »the most colossal of all works… music as if written by a god not for mortals, but for gods; for one can scarcely grasp it«.
Under the baton of Kirill Petrenko, the Berliner Philharmoniker and the Rundfunkchor Berlin will attempt to make the incomprehensible comprehensible – or perhaps simply to overwhelm the audience with Beethoven’s music. Performances take place both at the Philharmonie Berlin and on tour at the Salzburg Easter Festival.
Opened in 1963, the Philharmonie Berlin is one of the icons of modern architecture. Architect Hans Scharoun created a completely new form for the concert hall: the 2,250 seats are arranged in different blocks, terraced like a vineyard, around a five-sided orchestra podium. Beneath the hall is the foyer, whose labyrinthine staircases cause even regular visitors to get lost time and again. The unusual silhouette of the building, whose outer shell is clad in golden aluminium panels, can also be explained by its internal layout. The hall is also considered one of the best in the world in terms of acoustics. It is home to the Berliner Philharmoniker, but is also used by other Berlin orchestras and event organisers.
Philharmonie Berlin
Herbert-von-Karajan-Straße 1
10785 Berlin
Deutschland
© Schirmer
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