»Missa solemnis« in D major op. 123
for soloists, choir and orchestra
»From the heart – may it go – to the heart again!« This dedication was inscribed by Beethoven in his manuscript of the »Missa solemnis,« a work that has divided opinion ever since – not least because of its exceptional length by Beethoven’s standards. Music philosopher Theodor W. Adorno called it his »alienated masterwork,« finding it so enigmatic that it scarcely seemed recognizable as a Beethoven piece at all. For Clara Schumann, however, that very quality was what made the music so extraordinary. She described the Mass as »the most colossal of all works… music as if written by a god not for mortals, but for gods; for one can scarcely grasp it«.
Under the baton of Kirill Petrenko, the Berliner Philharmoniker and the Rundfunkchor Berlin will attempt to make the incomprehensible comprehensible – or perhaps simply to overwhelm the audience with Beethoven’s music. Performances take place both at the Philharmonie Berlin and on tour at the Salzburg Easter Festival.
Opened in 1960, the Großes Festspielhaus in Salzburg was designed by Clemens Holzmeister as a dedicated venue for the Salzburg Festival. The building, which appears rather simple from the outside, nestles against the slope of the Mönchsberg and opens up into a spacious auditorium with nearly 2,300 seats. The stage is among the largest in the world and accommodates elaborate opera and concert productions. The clear spatial design, precise acoustics, and flexible functionality make the venue one of the most significant venues for classical music in the German-speaking world.
Großes Festspielhaus Salzburg
Hofstallgasse 1
5020 Salzburg
Österreich
© Andreas Kolarik
Bleiben Sie immer auf dem Laufenden mit aktuellen Terminen, Konzerteinblicken und Interviews